I often think about the younger versions of myself.
The little girl who carried questions about where she belonged. The young woman who was learning to trust her voice long before she ever imagined using it to guide others. If you had told her that one day she’d be married with four kids, a dog and leading yoga in the heart of Salt Lake City, she would’ve never believed you.
As an interracial woman with roots stretching from the most contrasting of lands, I’ve spent much of my life navigating spaces where I felt both seen and unseen. Familiar and foreign. Connected and apart. Salt Lake City itself has been a teacher in this way. It is a place full of contrasts: mountains and desert, tradition and transformation, and in many ways in both the land and its people- mirrors my own journey of learning to hold multiple truths at once.
For years, I thought these contrasts were something to reconcile. Now I understand they were preparing me. Preparing me to appreciate the beauty of paradox. The more I’ve learned about the Holy days of the year- the Equinoxes and Solstices, the more sacred they have become to me. The equinox arrives at the precise moment when light and darkness share the sky equally. Neither one wins. Neither one disappears. They simply coexist. Year after year, the seasonal gatherings we’ve created and held in The Underground have reminded me that the same is true within us.
Joy and grief.
Strength and tenderness.
Certainty and doubt.
Belonging and becoming.
We do not have to choose one over the other. We can hold them all.
When I first began teaching at cityhome, I was still discovering what it meant to truly take up space. I knew how to teach the postures. I knew how to create a beautiful class. But the deeper work—the work of trusting my own voice, my intuition, my perspective—was still unfolding. What a gift it has been to do that unfolding in this community. I’m especially grateful to Cody and the team at cityhome for thoughtfully creating spaces where people can gather not simply to consume experiences, but to truly connect with themselves and each other. In a world that often moves too fast, those spaces matter. Our efforts and presence matters.
Over the years as a guide, I’ve watched people arrive on their mats carrying the full complexity of being human. I’ve watched strangers become familiar faces. I’ve witnessed tears, laughter, stillness, breakthrough, and quiet transformation.
And somewhere along the way, I transformed too. The Kera standing before you today is not the same woman who taught those first classes.
She is more rooted.
More trusting.
More willing to be seen.
More comfortable holding both the light and the shadow.
As I reflect on these years of gathering at cityhome through the seasons, what I feel most is gratitude. Gratitude for every student who has shared their practice with me. Gratitude for every conversation before and after class. Gratitude for the opportunity to help create spaces where people can pause long enough to hear themselves again. And gratitude for the seasons themselves, which continue to remind us that change is not something to resist. It is the nature of life.
Now, as we turn toward summer, I find myself once again inspired by the wisdom of the season. Summer asks us to expand. To step into the fullness of our lives. To share our gifts. To move toward joy. But it also reminds us to stay rooted as we grow. This summer, I’ll be returning to cityhome once again, and I would love for you to join me. Together we’ll move, breathe, reflect, and reconnect through practices designed to support both strength and softness, effort and ease, movement and stillness. And of course, there will be MUSIC!
Whether you’ve practiced with me for years or are joining for the first time, there is a place for you here.
The seasons continue to change. So do we. And perhaps that is the practice: learning to meet each new season—both in nature and within ourselves—with curiosity, courage, and grace. I hope to see you this summer.
Class starts on Saturday, June 13th, and is held every other Saturday through the end of August. Class starts promptly at 10:30am, but doors will open at 10:00 so that you can arrive, find your spot and settle in. Class will be around 75 minutes with ample time for meditation, movement, and rest. Yoga mats are available, but feel free to bring your own and a water bottle. Afterwards, join us upstairs and peruse the beautiful artisanal goods inside The Shop at cityhome. Complementary tea and water are provided, and blankets will be set up outside to commune and enjoy the sun. Can’t wait to see you! xx
Click here to book a class
Marwan W. Nahlé lives in the neighborhood. And what a pleasure to walk from our home to his on a sun-filled day. Studio tours are always better on foot, the way art works its magic best in person.
But not all art is truly alive. Because not all artists are potent enough to pray prana through the brush, and breathe something into existence. A life of its own. It is with reverence that we have invited Marwan’s works into our cityhome space for an upstairs pop-up. Friday, April 24th, 6:00-8:00pm. Join us for a handful of small pieces selected to showcase the power of soul in living works of art.
I asked Marwan a few questions. The paintings speak for themselves, but Marwan’s voice is more than worth hearing too. Listen quietly, and read slowly. There is more than paint on these boards, and more than words in these answers.
You have been making art since you were a young child. Why? It came to me naturally as I was born into an artist family. Both my mother (sculpting) and father (painter) were active, so by the age of five, somehow I found myself drawn into their studio and often found under my dad’s painting table playing and exploring with different art materials.
And you are still making art all these years later. How is the work the same and how is it different? As in, what is the golden thread that has strung all this work together over a lifetime? And any departures from that through-line? It is the same in a way of loving the process of creating new forms and shapes of art, especially when moved to do so, as if I am channeling it from an invisible yet felt source and it is different due to experiences gained from being actively engaged in the process of creativity and traveling to new places, observing and exploring other cultures, each one has had a massive impact on feeding my creativity that led to exploring with new and different mediums.
I see a deep light emanating from within your work. What are you expressing? A gift that I inherited from my parents was the act of constantly creating art in a war-torn country is the most vital element in shining lights of hope or positiveness in a total and uncertain darkness.
Your pieces, for some reason, especially these small works, feel like poetry in paint. What is the acrylics’ message in word form? Sometimes, an art piece unfolds into a specific message that reaches a specific observer in the right place and time.
For the right observer, there is a chance for a real catharsis to occur between the canvas and the viewer. What do you hope happens in the space between the two? As I had participated in many art shows, experiences in the past, and learned from observation that often all it takes is a sort of spiritual connection exchanged between the observer and the art piece, and that is what I hope to see happening, simply, a deep connection.
You have lived all over the world. Tell us what you have loved about Salt Lake as home. Salt Lake has given me my family, my wife, and my three children, and has impacted and enriched my artistic career enormously through its culture and beautiful landscapes.
Most importantly, you have family in Lebanon. How are they? Yes, I have my mother, my sister, and my friends. Most of us have been raised during the war and have found ways to adjust and adapt to most life-endangering situations. It seems to me that when we depart from this lifetime, war will still be on, but as for now, they are safe.
There is an ancient mystical teaching that all the colors of creation are contained in the morning sun. And that we are that creation. And so are each of these works. Marwan, to you, your mother, her land, sister, friends, and all beings everywhere, may all be safe and protected, healthy, happy, and free.
Join us for a one-night show of ten small works by Marwan W. Nahlé.
Friday APRIL 24TH, 6:00-8:00PM | 641 E SOUTH TEMPLE
Here at cityhome we are by nature, creators of connection. We can’t help but share the things we love with the clients and community members who walk through our door with a willing ear and an open heart. In our quest to spread the love (and knowledge), we’ve paired up with some of our favorite local makers to host a variety of workshops that have made Saturdays at cityhome such a sacred place to be.
If you’ve been here before you know that we are a space that engages all of the senses. The music is thoughtfully curated, we love a dimmer switch, and it always smells good (or at least we’re told). It’s no coincidence that local perfumer and scent designer Dimitri Allouch of fragrance studio HEXEH, has been a friend to and collaborator with the COLLECTIVE for years. These days you can find him at cityhome leading an immersive perfumery workshop on select Saturdays throughout each month.
As Dimitri describes it, “You are invited to slow down, to breathe, and rediscover your sense of smell, the instinctive, emotional sense we often overlook. You’ll be guided through the foundations of perfumery: where it comes from, how fragrances are built, and how raw materials come together to create character and emotion.”
The class is equal parts science and art.
A balance of beauty and biochemistry. Each group is small, creating an intimate, focused experience for everyone – your own personal scent cohort. And at the end of the day you go home with a custom scent that you’ve created from start to finish.
The reason this workshop is so rich isn’t a fluke.
It’s quite literally built into the very fabric of who Dimitri is. He grew up near the city of Grasse, in the south of France. The city itself may be small, but it’s a giant in the world of fragrance, the historical center of high perfumery. For Dimitri, scent is akin to home. He navigates olfactory profiles with intimate precision. He builds a landscape through scent and then invites you in to explore it with him.
“Each workshop reflects an ongoing professional practice rooted in material knowledge and a deep respect for scent as a design medium. Teaching is approached not as instruction alone, but as the sharing of a way of seeing — and smelling — the world.”
I’ve had the pleasure of experiencing this first hand. The connection is real. The conversation is potent. And Dimitri is always the last one to leave, but only after answering every question. Folks linger. And we love a good linger! You know the feeling, right? The party is technically over but you’re not quite ready to leave yet. These are some of my favorite moments. When I’m reminded of the connective tissue that is learning something new, together.
saturday | APRIL 11TH & April 25th 10:00AM-3:00PM | 641 E SOUTH TEMPLE | CITYHOMEcollective
For more information including additional upcoming dates and pricing, or to register for the workshop text or call 801.718.5555
There’s something about this time of year that asks us to begin again.
Not loudly, not all at once, but in the quiet ways. A window cracked open after months of stale air. A shedding of the winter coats. The subtle, almost imperceptible shift toward something lighter. Something new.
Welcoming a body of work titled Rewire by Taylar AKA Gothsloth, a collection that feels as much like a personal turning point as it does a seasonal one. At its surface, the name speaks to what many of us are already doing this time of year: adjusting our rhythms, our routines, and our spaces in preparation for what’s ahead. But just beneath that, there’s something more tender at play.
Rewire lives in the in-between.
In preparing for this show, Taylar found herself doing exactly what the title suggests, resetting. Cleaning her home. Rearranging her art space. Shaking off what she described as a kind of “winter depreshmode.” Not all at once, but piece by piece. Brushstroke by brushstroke. And perhaps most notably, each of those brushstrokes was created with her non-dominant hand.
The entire collection was painted left-handed, a deliberate act of disruption. Of slowing down. Of forcing the brain and body to communicate differently. The result is work that feels loose, gestural, and deeply present.
That physical rewiring mirrors something deeper, too. This marks the first body of work Taylar has created while experiencing a new sense of internal balance. After navigating a late diagnosis of ADHD, depression, and anxiety, and beginning a path that includes medication, therapy, and support.
There’s a steadiness here that wasn’t there before. Not perfection, but clarity.
A sense that the ground beneath her feet is a bit more solid.
While Rewire is deeply personal, it doesn’t exist in isolation. It’s impossible to ignore the weight of the world we’re all moving through right now. From global conflict to local concerns. Taylar speaks to this:
“Beyond the personal, Rewire speaks to the world we inhabit. In times when the world feels heavy—facing war, genocides, the crisis of ICE and immigration in our local community, the drying of the Great Salt Lake, and the ongoing fight for social and racial justice—we are all called to rewire our patterns.
Dismantling these systems requires support and a radical belief that a better world is possible. When hope is a discipline, coming together for a night of art feels collective. It is a chance to gather, breathe, and support the rewiring of our shared future, even just for the night.”
With Taylar’s Rewire, this space becomes exactly that. A place to come together. To breathe. To witness. To support not only a local artist, but a shared desire for something better.
After six years of growing within Salt Lake’s creative community, Taylar’s work has traveled far beyond it. But the roots remain here. In the people. In the support. In the quiet, consistent encouragement that makes this kind of evolution possible.
This show is a reflection of that journey.
Of change—both chosen and necessary.
Of learning how to begin again.
SAVE THE DATE | April 17TH, 6:00PM-9:00PM | 641 E SOUTH TEMPLE | CITYHOMEUNDERGROUND
Like many of us, I’ve weathered a few years of massive upheaval. The shape of my life and the shape of my home has changed radically. I spent nearly two decades living in a house in the suburbs in the south end of our Salt Lake Valley. It was a home I valued for its fortress like privacy that fostered a sense of closeness and sanctuary from the wider world as I raised a young family. Shutting everything else out felt like the point.
As I transitioned out of the 24/7 phase of parenting and eventually got divorced, I found myself seeking a new kind of home—one just for me. It is a strangely disorienting thing to live alone for the first time at 50 years old, but it has also proven clarifying and a reminder of the beautiful ways that our homes and the spaces we create are always contextual—responsive expressions of the relationships we cultivate with ourselves, with our community, and with the surrounding land where our homes reside.
When I was looking for my new solo spot, I held the question how do I want to live now? close. A strange answer bubbled up: I want to widen my circle of care. I want my home to support my ability to stay grounded, bright, and vital so I can extend myself out further to support others and tend to their Spirits that are so often dulled by disease and emotional pain. I realized I didn’t want to find another fortress, I wanted to find a lighthouse. I didn’t want a home built to shut the world out, I wanted one that helped me to invite it in.
It makes me catch my breath the way life rose up to meet my intentions!
My home now is perched atop Capitol Hill, an area I consider to be the crow’s nest of our valley with views in all directions. This sense of expansiveness has widened my own life’s perspective and encouraged me to dream bigger. My interior space is bright and gives me the feeling that I am harvesting light as I trace the sun’s path dawn to dusk and season to season from my windows. I have a dedicated room for 1:1 healing breathwork sessions where I invite others in to release the heavy heart and body burdens they carry from a lifetime of every day living. And I appreciate the way my main hang space has a hearth and sturdy mantle at center, something that feels symbolic and supportive of the slow past-times my lifestyle craves—meditating, candle gazing, reading, looking at and making art, writing, and visioning what the people in this community that stretches out all around me need.
My work in the world since becoming a chaplain has centered on creating offerings that help restore connections to self, land, and each other. That’s been my short answer to what the people need. Maybe it was an effect of being more grounded and solitary in my new home, maybe it was the desire to explore my new neighborhood, but I felt a pull to the hill (the big toe of the Wasatch its been called) that is Ensign Peak and started walking up to it regularly. I felt inspired by the accessibility of this landmark-just 10 mins from downtown and a moderate 1/2 mile hike up to meet dazzling 360° views. Ensign Peak was literally the spot the early LDS pioneers came to proclaim that this was the place from which to envision and build their community.
Regardless of specific religious affiliation or belief, I fell in love with the idea that Ensign Peak holds a legacy of being a place that honors the human longing to come together around shared values to build a hopeful future. It felt like a perfect place to honor and reclaim for our time, which feels so in need of visioning new ways forward and building stronger community ties. And so the Wayfinders Walk was born as my latest community offering. The basic gist is that it is a community pilgrimage, a unity building, land praising, spirit tending weekly walk from 8:00am to 9:00am up Ensign Peak beginning on Sunday, March 22 (spring equinox) and culminating on the summer solstice on June 21. Free to all and open to anyone willing and able to walk, it will be an opportunity to come together, to remember what unity feels like in our bodies, and to gather our light and gain new perspectives of ourselves, each other, and what’s possible.
More details about the pilgrimage project here
Start your weekend with us! We’re opening our doors for Art Stroll this Friday, 5-7pm at cityhomeUNDERGROUND. Come experience our latest exhibit, “Being” by Ben Wiemeyer, on display through January 21st.
To create his newest paintings, Ben layers natural materials with sumi ink and white acrylic, using a free-flowing process that allows for soft collisions of muted color. His peaceful pieces are beautifully framed and available for purchase – but simply witnessing them in our space is an experience that will stay with you. So come center yourself, commune with the artist, and enjoy an evening with our connected community.
I was able to catch up with Ben and ask him a few questions about the show.
Join us both on Friday evening to continue the conversation…
Can you share a little about your process for creating these pieces and the interesting blend of materials that you’re using?
These paintings Are made from Walnut Ink, Sumi Ink, and white acrylic on water color paper. The materials don’t blend easily , they almost resist each other. So you get some really beautiful material interactions as they dry.
Where did the inspiration for this series, “Being” stem from? It seems like a shift from your typical bold graffiti style.
The inspiration came from wanting to collaborate with Cody on a project , we started with a bouquet of flowers as catalyst, and through discussion we pivoted and landed on a reduced pallet, with landscape and Geologic vibes. which are things I create for my self often, but have believed there needed to be more levels of interest. I think this was our attempt at saying these are enough, and are complete with out all the added noise that shows up in my typical work.
How do you hope the work is received? Any other reflections you want to share?
I hope people have a visceral response , which is my goal when producing artwork, and I hope that they saw something from me that they didn’t expect.
art stroll | Friday, January 16th 5:00pM -7:00PM | 645 E South Temple
Ben, an artist who loves problem solving, started this show conceptually and literally, with a bouquet. In the end, what remained on the canvas was the raw materials that birthed the entire landscape. Flowers, and beyond. An exercise in letting things be, as they/we are.
Anyone who knows Ben Wiemeyer can attest to his love of people, an environment that grew him up encouraging exploration and problem-solving. His father, a builder and contractor, mother, an interior designer, and grandmother, a painter. The brush doesn’t fall far from the tree.
TO BE HERE AND PRESENT AS AN ACT OF REBELLION IN A WORLD TELLING US TO DO OTHERWISE.
Consider yourself cordially invited to come be with us.
Show hours: Monday – Saturday 8:00AM -7:00PM
December 19 through January 21
Breath as Our Original Medicine
Before we learned to speak, to perform, to manage, or to survive —
breath was the first place we belonged.
It was our original tether into the body,
the quiet intelligence regulating us long before we understood what regulation meant.
Breath touches everything — our hormones, fascia, blood, heart rate, sleep cycles, emotional expression, energy, digestion, and our ability to feel connected and present.
When we return to our breath intentionally,
we come home to a truth most adults have forgotten;
that safety, balance, and clarity already live within us.
And during the holiday season, when expectations rise, old patterns surface, and nervous systems shift into quiet survival, breath becomes the medicine that allows us to slow down, soften, and stay in our body.
—
This offering highlights the work of Feral State, a local woman-owned business dedicated to the craft of BREATH and everything that comes with it. Feral State programs—ranging from professional credentialing to retreats, drop-in classes, and community events—are all trauma-informed, somatically grounded, and science—rooted. Through breathwork, physicality, music, and evidence-based nervous system practices, Feral State helps people regulate, reset, and re-pattern the systems that modern life exhausts. Their immersive sessions mimic what our bodies were built for—the neurochemistry of movement, connection, expression, and instinct that our ancestors experienced daily. Here, people release tension they’ve carried for years—emotionally, physically, and mentally—and begin to feel like themselves again. Feral State looks forward to stepping inside the home of cityhome to reach more communities, together.
Holiday Challenges & Nervous System Truth
The holidays are a beautiful time… and they are also activating. Family patterns, emotional density, overstimulation, expectations, long to-do lists, travel, financial pressure – all of these pull the nervous system into states of tension and imbalance. This event exists because your body deserves support, not pressure. Breath gives us a way to move through the season, grounded instead of overwhelmed, present instead of reactive, connected instead of exhausted. Your nervous system is always communicating. This gathering helps you understand what it’s saying.
What This Evening Will Include
- Nervous System Education
Understanding sympathetic vs. parasympathetic states and the science of stress, presence, and co/self-regulation. - Somatic Awareness
Gentle movement, fascia awareness, and embodied practices that reconnect you to your instinct and body’s intelligence. - Guided Breathwork Session
A powerful Feral State session led with Sofia’s trauma-informed, music-driven, science-rooted approach. - Personal Action Plan
Space to create your own Nervous System Action Plan — a grounding toolkit for navigating the holidays with clarity and ease.
Collaboration: Science Meets Embodiment
This evening is led by Sofia Gorder, owner of Feral State — a practitioner whose work seamlessly blends somatic education, breathwork science, trauma-informed methodology, and embodied creativity.
Rachael LePrey will be supporting the event by guiding breath awareness as a pathway to embodiment and surrender — helping participants experience breath not only as science, but as sensation, as grounding, as truth inside the body.
This collaboration honors both the scientific intelligence of the nervous system and the lived, embodied experience of breath.
Who Should Attend
This gathering is for anyone who wants to feel more at home in their body. Build resilience for the holiday season. Learn practical nervous system tools. Soften stress and emotional overwhelm. Connect with community in an authentic, grounded space. Experience the intersection of science and embodiment. Whether you’re new to breathwork or deeply familiar with somatic practices, this evening meets you where you are.
Come Home to Yourself
We warmly invite you to join us for a restorative and transformative evening.
Take a pause from the rush.
Let your breath recalibrate you.
Let your body speak honestly.
Together, we return to our first home —
the breath that has been holding us since the beginning.
Nervous System Action Plan for the Holidays | December 20, 2025 | 4:00-7:00 PM | cityhome 645 e south temple | suggested donation $22-$44
When Maya learned that Scents of Wood would be opening next door to her niche perfume boutique, Solvi, she felt a pit in her stomach. “I was like, crap, this amazing, big, cool business is going to come next door and I’m going to get swallowed whole.”
Five minutes later, she reconsidered. And when she met Fabrice, founder of Scents of Wood, her fears vanished entirely.
What emerged wasn’t competition, it was collaboration. And it created something that exists nowhere else in America outside of New York City: a niche perfume curator and a fragrance creator, side by side, on the same street.
The Curator and the Creator
The distinction matters. Maya is a curator, carefully selecting niche perfume houses from around the world, brands with soul and story that you won’t find in department stores. Fabrice is a creator, developing original fragrances through his unique “personal forest” methodology, then aging them in wooden barrels like fine spirits.
“It would never make sense for two perfumers to be next door to one another,”
Fabrice explains.”But a fragrance brand and a niche perfumery next to each other is awesome.”
Even their landlord was initially confused, thinking they were the same business. But the two complement rather than compete. “Between the way we conceive our scents and what Maya has created, people can spend two very enriching hours here,” Fabrice says.
Sensory Street
During our conversation, Fabrice made an observation that stopped everyone: Pierpont Avenue has become a sensory street, engaging all five senses in unexpected ways.
There’s touch at the clothing stores. Sound at the sound studio. Sight at the tattoo artist and the beloved Atelier. Taste at the soon to open Old Cuss and of course at The wonderful Rose Establishment. And now smell, twice over, at both fragrance retailers.
“That’s really special,” Fabrice says. “We should call it Sensory Street.”
It’s more than clever branding. It reflects Salt Lake City’s cultural evolution. Just as the food scene has exploded in recent years, fragrance is having its moment.
“Salt Lake has never really been known for its food at all,” Maya notes. “And then the last few years just boomed with these restaurants that are exploding in quality and diversity. And now we have us for fragrance. You can tell how many people want this and need it.”
The progression makes sense. As our palates have evolved, as restaurants matured from basic to sophisticated, noses are following the same trajectory. The sweet and comforting gourmand fragrances trend serve as the gateway, much like approachable wines or comfort food. Eventually, customers grow adventurous, exploring deeper, more complex fragrances. Think of how many of us have liked milk chocolate before loving 80% dark single origin chocolate.
Why Small Business Matters
In 2025, opening a brick-and-mortar store is an act of faith. But both Maya and Fabrice believe physical spaces offer something irreplaceable.
“The thing I care most about is the customer experience,” Maya says. “Making sure they have a good time and find something that they love. When you get too big, it’s naturally going to be impossible to take care of every single customer that way.”
She’s discovered that customers often visit Solvi for moments of celebration, a promotion, a wedding, a milestone worth commemorating. “They want this scent to commemorate something special or to elevate their everyday life,” she explains. “Our nose is so closely tied to memory. Scent can tie you back so vividly to your memories.”
For Fabrice, whose business began digitally, the physical store serves another purpose: it’s a laboratory for design. “Now, thanks to this, we get to see how people interact with our brand in real life. If I want to test design ideas, I just go behind this door and I’m in my brand.”
A City Growing Up
What’s happening on Pierpont Avenue is a microcosm of Salt Lake City’s maturation. The city that once had limited options for niche anything (wine, food, fragrances) is developing sophisticated tastes and supporting businesses that cater to them.
Fabrice’s creative process embodies this evolution. Every Scents of Wood fragrance begins with what he calls the “personal forest”, conversations with perfumers about the trees and wooden objects that shaped their lives. “Everybody has a personal forest,” he explains. “A tree they built a treehouse in, a forest where they walked as a teenager. Something meaningful.” These memories become fragrances, then age in wooden barrels, adding depth that develops over time. Think of fine fragrances like fine spirits.
Maya’s curation reflects similar intentionality. “What’s really important is the brand story,” she says. “I want something fully fleshed out with meaning behind it. I love when a brand has a soul to it, a Why. And you can smell it in the fragrances.”
This is the future: small businesses with big ideas, great dreams, creators and curators working together, and a city sophisticated enough to support them.
As Fabrice puts it: “The future of commerce is not in competition. It’s in working together.”
Standing on Pierpont Avenue, surrounded by sensory experiences and genuine collaboration, that future smells promising.
Solvi | 337 Pierpont Avenue, Salt Lake City | @sniffsolvi // Scents of Wood | 339 Pierpont Avenue, Salt Lake City | @scentsofwood
A note from the Shop- “To continue the conversation beyond the page, Dimitri will be hosting a series of perfumery workshops at CHC. The February 7th workshop is SOLD OUT. To get on the March waitlist for a seat at the table, text or call 801.718.5555.”
Guess what guys and gals?
Curriculum and cityhome are getting back together again for a day of curated-with-care goods and collectibles. We’ve been collaborating with Curriculum since the beginning of time. (JK, just since we helped them with their original 9th and 9th location.) Save the date. The Shop will be popping up Thursday, December 11th, from 2:00-8:00pm in Curriculum’s lot. Join us for a sweet evening. Come by and shop for some skull soaps, handmade ceramics, other goods and to see some friends. That’s us, we’re the friends.
